Joey

pfSense > Sophos UTM

I tried out Sophos UTM as an experiment for work today. I learned something about the product: as much as I wanted to like it (and there were a number of good features to like), it’s moniker for “Home Users” was very poorly placed. Sophos UTM’s default configuration is like a Republican congress with a Democratic president – the land of ‘no’. After spending nearly two hours with it, I could not get it to let any real nonstandard traffic out the door. HTTP worked fine, but remote desktop on a nonstandard port? Nope. Getting the new replies in misc.legal.moderated using Agent? Nope. Syncing my phone with my NAS? All aboard the Nope train to Nopeville! It didn’t matter what rule I put into that thing, that traffic was NOT happening. I never thought there would be a software-based firewall that would make me pine for a SonicWall, but a ‘deny any any’ rule in a default config for outbound traffic? Not fun.

pfSense? From CD to working default config in 20 minutes. I can be okay with this. I’m also looking forward to seeing what happens with my transparent proxy; hopefully it will speed up load times on my poky DSL line.

Supergirl, and nuance

Admittedly, I haven’t read the comics that inspired this CBS series, so I don’t know what is “true to the comics”, or what is “CBS doing its thing”. What I’m writing about here has a handful of spoilers regarding things that have happened in episodes up to this time (Season 1, Episode 8), so if you haven’t seen it, you may not want to click ‘Read More’…

So, throughout the series, Kara has taken Clark’s “mild mannered reporter” trend to the next level. Mild-mannered is one thing, but she’s frequently clumsy and “adorkable”. Supergirl, on the other hand, has a whole lot more poise and confidence. Kara is frequently seen being all nervous around her boss Cat Grant, the CEO of National City’s largest media conglomerate with a personality clearly inspired by Miranda Priestly, and gets doe-eyed around her crush and confidant Jimmy Olsen. (side note: “National City” has to be the laziest fictitious city name ever created)

The show has a number of references to things associated with modern feminism: in one episode, Cat makes a comment to Kara about needing to work twice as hard for half the recognition, because she’s a woman. In another, there was a discussion regarding expectations being a double standard. In the most recent episode, the ‘bad guy’ in the episode is a board member, with maybe 20 lines in the whole episode, who Cat describes as “the walking personification of white male privilege”, and those are just the references I can recall off the top of my head. Now, before my comment section blows up, I’ll make it known that I’m not saying that the series is wrong for this slant, but I am indicating that it’s present. On the contrary, I’ve got no problem with a series that depicts Supergirl’s challenges in the world, both being ‘super’, and being a girl. I’m perfectly fine with the exploration of both of these themes.

What I do find interesting is this: It takes a solid amount of confidence to fly Cat to the bluffs where the first interview is conducted, and while Kara is a bit nervous, she still retains control of the situation, despite the fact that if Cat doesn’t like what Supergirl has to say, Kara is having a bad day at work tomorrow. When Cat offers to be the bait to take down LiveWire, Kara again is able to keep it together. Void of her powers in one episode, she talks down an armed robber. Later in that episode, Cat makes an accusation that Supergirl abandoned National City, which Kara expertly deflects (interrupting her mid-sentence, might I add). Again, these are just the examples off the top of my head of Kara being resolute and confident when she’s wearing her cape, while that level of resolution and confidence seems to be absent when the cape is.

Kara is no less bulletproof when she’s wearing business casual attire. Kara is just as capable of flying, just as able to throw a punch, and just as beholden to her burden as a Kryptonian on earth when she’s in fetching Cat’s coffee and cobb salad. She’s shown no personal reason to stay at that particular job (e.g. she’s made no statement about wanting to be a reporter herself), and something tells me that she could request living wages from the DEO – she’s certainly got the clout to get a paycheck from Uncle Sam, and let’s face it – she’s presently the only one who’s working for that organization on a volunteer basis. While her secret gives her the ability to live a double life, everyone she cares about seems to know her secret and be complicit, while those characters find themselves in need of being saved by Supergirl on a regular basis – even if she went full-time Supergirl, her friends and family would be in basically the same place they are now. This raises the question: what gives Kara the confidence to speak to Cat with candor when she’s Supergirl, but not when she’s Kara?

The clothes. That’s about the only thing I can attribute it to. Supergirl can go toe to toe with Cat Grant because she’s wearing her Spandex suit and the cape. Whether it’s intentional or not, I’m hard pressed to come up with anything else that can explain why Kara can be confident, especially with Cat, as Supergirl, but not as Kara.

 

This saddens me.

 

For a show that seems to intend to extol the virtues of progressivism and female equality, what gives Kara her confidence is her clothes, rather than her training, her mind, her near-invulnerability, and her selfless concern for the citizens of National City.

I do hope that the series does a better job of addressing this as time goes on; I haven’t heard anything regarding the series’ renewal. Until then, I will remain disappointed that the writers of this series have done injustice to their cause in such a subtle way.

 

Then again, maybe they’re looking for an advertising deal from Nordstrom.

Amazon Searches

So, I went on Amazon to search for the track Female Heist Movie, a hilarious quip from comedian John Mulaney. Of course, in order to search that, I started to get automatic suggestions…and I don’t really know how to feel about the list of things people seem to commonly search for on Amazon that start with the word “female”…

female

Well then…

Products vs Protocols

I was thinking today about the tech industry and its trends. More and more, I see attempts to make a ‘vertical market’, which I’m certain is recommended in management and marketing school. Unfortunately, vertical markets are incredibly profitable – Apple/iOS, Facebook, Oracle…If you can make everyone dependent on exclusively your product, your company makes more money than the other companies doing the same.

The problem is that these things only last as long as they are profitable. There was no meaningful way of accessing Myspace messages aside from Myspace, so any messages sent on that platform are probably gone now. If you had any music that used PlaysForSure or got stuck with a Sony music player that used SonicStage, I’m guessing that you too had a pretty bad day a few years ago; my apologies for drudging up the bad memories. The stories that sound like this go on and on, in a near cyclical format, throughout computer history.

Protocols, on the other hand, are a different matter altogether. They’re generally not terribly profitable for anyone who makes them (unless there’s some sort of licensing system in place), but protocols tend to stand the test of time much better. The roots of HTTP go back to 1991 – HTTP is the protocol that allows you to be reading this blog right now. Also happily powering this blog, though not a protocol in the strictest sense, is SQL, which is the database language standard that powers the back end of this site. SSH allows me to do some back end management, and was first released in 1995. SMTP, the protocol that allows e-mail to work, hit the streets in 1982, and no matter how much Google tries to kill it with fire, Gmail still ultimately uses the 30 year old protocol. MIDI, the protocol that allows some of my DJ gear to work, and a number of live musicians to change their keyboard sounds in real-time using their laptop, was first standardized in 1983. If you’ve been to a theatrical performance with any lights that moved, you’ve seen the result of DMX512, the protocol that allows the lighting guy to control the lights, and introduced to the world in 1990. 802.11 has been through a few revisions (b, a, g, a few flavors of ‘n’, and a few flavors of ‘ac’), but that protocol is better known by its common name of “Wi-Fi”, that allows your Netgear router to talk to your Apple iPhone, your Dell laptop, and your Samsung TV.

Designing a protocol isn’t terribly sexy, and isn’t terribly profitable, but without protocols being developed, we see the problems of incompatibility between vertical market vendors prevent users from using the products that meet their requirements best. It’s not in the user’s best interest. Unfortunately though, we live in a world where ‘facilitating end users to do what they need to do” is a solid secondary-at-best consideration in comparison to the need for the customer to be locked into the products.

And this is why all the nice things are results of the 80’s and 90’s.

What is liberty worth?

One of these days, I do hope to write a full-fledged article on the topic. Until then, I must simply pose the question in a very concise manner.

From my perspective, it looks like the world we live in values three things above all else: safety, convenience, and celebrity. Between “safe” and “rewarding”, we usually choose ‘safe’. Between “convenient” and “controllable”, we usually choose ‘convenient’. Between “famous” and “altruistic”, we follow the famous.

Is there no value in having full control over what we purchase? If we were, Volkswagen would have been able to fudge the numbers on their emissions tests. Chrysler vehicles wouldn’t have needed a recall over a software hack that would enable the vehicle to be remotely commandeered. Our phones wouldn’t receive ads based on the products we’re standing next to. We wouldn’t be worried about FitBit devices losing data or selling it. Smart TVs wouldn’t require tracking of viewing habits in order for the Netflix and Youtube clients to work.

Presently, my blog has about five readers, if that (aside from the Russian bots who attempt to turn this blog into a malware-serving zombie). None of them have rooted phones, and only one has a rooted tablet (and she hasn’t the foggiest idea how to leverage it). Some argue that giving users complete, low level access to their devices is asking for trouble, and 30+ years of computer viruses are certainly highly compelling evidence to support that claim. Here is my counterargument: Every computing device – every smartphone, every tablet, every laptop, every desktop, every server – every one of them has a root password. Every one of them has a set of credentials that the device will recognize as the signal to unquestioningly obey every command given to that device. Someone, somewhere, has those credentials. If the owner has those credentials, they not only have the ability to use them personally, but to allow a known, trusted person to do so. When a device owner doesn’t have those keys, and somebody else does (be it Google, LG, Apple, Verizon, Chrysler, or whoever else), then it is up to that person, not the device owner, who can and cannot access the device’s software and information. Then again, some argue that the person who has root access is the real owner of the device…and I can’t say I disagree.

I posed the question regarding what liberty is worth. Famously, Patrick Henry and Nathan Hale believed that liberty was more important than life itself. Would we, as a society, be willing to make a choice to avoid devices to which we cannot acquire complete access and ownership? Is liberty worth that? Is liberty worth having to spend a little time ensuring that data lives only on one’s own devices? Is it worth reading privacy policies? Is it worth convenience, or perhaps paying a bit more for our groceries? Is it worth a warranty on your phone? Is it worth an afternoon researching these matters instead of what the Kardashians are up to?

Some days, I feel that I am alone in my concern for these matters.

VMTurbo: If it sounds too good to be true, it probably is

Saw an ad for VMTurbo, which promised monitoring for Virtual Machines in an environment. I missed the fine print that indicated that it required vCenter, so it doesn’t work on ESXi.

“Free VM Monitoring” is prominently displayed on the front page. “Doesn’t work with ESXi” is on a forum post that requires a Google search.

If I’m spending money on the virtual environment I’m building, I’m spending it on Veeam.

Dance Music: it ain’t what it used to be…

“Music sucks these days”…my dad used to say that growing up. When he was younger, the quality of music was directly related to the skills of the musician. Don’t get me wrong, I admire the musical talent of many of the rock artists of the 60’s and 70’s. I’m not precisely a fan of the genres, but I will certainly never argue that those musicians were talented. I grew up on late-90’s-early-00’s pop – the point when Lou Pearlman was pumping out teen pop stars like Coke from a vending machine, computer-based recording studios were only just starting to leave the minority, Autotune wasn’t quite yet a thing, and dance music was still pressed on vinyl.

https://www.youtube.com/watch?v=edljYpLSO5c
This gem of a song was released in 2003, and I’d argue, amongst the best remakes of a song ever done. The synergy here between Phil Collins, Deborah Cox, and Valentin is something that’s rare form. I’m fortunate enough to have this track on vinyl, though I’m not a purist – I won’t argue that my pressed vinyl sounds better than the CD. Either way, between this, Airwave, and Silence, you’ve got three pillars of dance music of the era that manage to evoke emotion in the process of giving a soundtrack to a dance floor. Honorable mention to Peter Luts’s take on Castles in the Sky.

My previous post on “Outside” is about as good as it gets in recent years, and as much as EDM is mainstream now, it seems much more clearly “template based” than earlier tracks. Sure, quantized, four-to-the-floor rhythms made digitally aren’t quite a drumming pattern that would showcase Ringo Starr’s talent, but the blend with the synths is much more symbiotic than today. Many “remixes” I hear today are basically the album edits with the 16-bar instrumental section in the post-chorus changed out.

There was a scene in a recent episode of Minority Report where the protagonist’s mother commented about how there was more human interaction in the good ol’ days of Tinder than in the present day of the series (the 2050’s, I believe), where people in clubs tap bracelets and get a “green light” or a “red light” before ever exchanging words.

My dad waxes nostalgic of the glory days of actual guitar playing. I wax nostalgic of the glory days of air synths that involved a modicum of composition prowess. I cringe at what my niece and nephew will consider to be the ‘good ol’ days’. Then again, my dad probably feels the same way.

More RAM

Though misattributed to Bill Gates, in the mid-1980’s it was stated that “640k of RAM should be enough for anybody”. The first new home computer my dad got came with 16MB of RAM, which was later upgraded to 48. My first three laptops all had 192MB of RAM; I edited many a video on them. My first new laptop had 512MB of RAM, back in 2004. I got 2GB in the next one, then 4, then 6 (later upgraded to 12), and now I’m at 16GB of RAM, eyeballing a bit of a bump, because five copies of Windows at a time tends to run a bit sluggish when I’m doing virtualization.

Times change.

I found this amusing

From Slashdot:

How many surrealists does it take to screw in a lightbulb? One to hold the giraffe and one to fill the bathtub with brightly colored power tools. 

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